'I Rejected Cooking in the Name of Feminism—Until I had to Feed Myself,' Bon Appetit
‘Apricots,’ Gulf Coast, Fall 2015 (Winner of the 2015 Gulf Coast Nonfiction Prize)
"Beautifully written; hard-hitting and succeeds as the "personal is the political"; lyrical; a long, extended metaphor"--Xu Xi
'How to Tell a Shattered Story,' Guernica
‘Eleven Stories of Water and Stone,' Prairie Schooner, Spring 2015 (Winner of the 2014 Prairie Schooner Essay Prize)
"This essay is best described in the author’s own phrase: “trying to hold water in a fist.” Each of the sections is a powerfully focused revelation of how the most basic of elements, the basis of survival—water—determines the life in an Indian community. But it is not mere social history; it is also about how individual lives and relationships are affected by either the presence of water or its scarcity. It is a poem and a history lesson."--Judith Ortiz Cofer.
'Revenge Porn,' Kenyon Review Online
'Hymns for the Drowning,' Pleiades
'The Body Patchwork,' Essay Daily, March 2016
'Weave Forward, Weave Backward,' Essay Daily, September 2015
'Trishanku—Language as Purgatory,' Asymptote
‘Seeing Double,’ Wasafiri, Spring 2015 (Winner of the 2014 Wasafiri New Writing Prize)
‘Poetry, KY,' Fourth Genre, February 2015
‘The Slice,' Everyday Genius, December 2013
‘Apricots,’ Gulf Coast, Fall 2015 (Winner of the 2015 Gulf Coast Nonfiction Prize)
"Beautifully written; hard-hitting and succeeds as the "personal is the political"; lyrical; a long, extended metaphor"--Xu Xi
'How to Tell a Shattered Story,' Guernica
‘Eleven Stories of Water and Stone,' Prairie Schooner, Spring 2015 (Winner of the 2014 Prairie Schooner Essay Prize)
"This essay is best described in the author’s own phrase: “trying to hold water in a fist.” Each of the sections is a powerfully focused revelation of how the most basic of elements, the basis of survival—water—determines the life in an Indian community. But it is not mere social history; it is also about how individual lives and relationships are affected by either the presence of water or its scarcity. It is a poem and a history lesson."--Judith Ortiz Cofer.
'Revenge Porn,' Kenyon Review Online
'Hymns for the Drowning,' Pleiades
'The Body Patchwork,' Essay Daily, March 2016
'Weave Forward, Weave Backward,' Essay Daily, September 2015
'Trishanku—Language as Purgatory,' Asymptote
‘Seeing Double,’ Wasafiri, Spring 2015 (Winner of the 2014 Wasafiri New Writing Prize)
‘Poetry, KY,' Fourth Genre, February 2015
‘The Slice,' Everyday Genius, December 2013